Friday 9 December 2016

Screenplay-editing


Scene 1
THE SMITH RESIDENCE IN KNIGHTSBRIDGE  
DINNING ROOM- EVENING

                      
MRS SMITH, mid thirties, with an aura of elegance and grace – dressed in a tight red pantsuit.

CHARLES (MR SMITH), late forties -- grey hairs starting to show through, dressed in a classic Black Givenchy suit.

MRS SMITH

   Why her? Why not me? Why not anyone else but her?

CHARLES

I don’t discuss your personal business, I would expect          you the extent me the same courtesy.

MRS SMITH

(Forcefully scraps her chair legs across the marbled floor)
 I’m your wife; I’m the woman with the ring, not her.

CHARLES

    Know your place woman. Sit.


SAMUEL SMITH, roughly twelve years old, handsome – dressed in a Gucci Slim fit tracksuit.

Scene 2

THE SMITH RESIDENCE
CHILDRENS PLAY ROOM- DAY

SAMUEL

     Freya Smith? Smith? You are a funny one aren’t you?

FREYA SMITH, ten seyears old, petite frame -- dark ringlets that cascade down her back.

FREYA

(Continues to write her name with different coloured pencils) Funny brother? I’m funny? (A high-pitched laugh escapes her mouth)

SAMUEL

  Brother? I’m no brother of yours. You’re a bastard, a sin! (Stalks towards Freya) We all know it, I know it, and Mother knows it, even Father. (Forcefully shoves Freya) You are no sister of mine!

Scene 3


THE SMITH RESISDENCE
BALL ROOM - NIGHT

MRS SMITH

    (Dressed in a red satin dress that exposes her bear shoulders, she stomps her way through the packed hallway)

I’m no wife. I’m property.

(Hands begin to tremble terribly as she tries to light a candle. Mrs. Smith falls to her knees, crying hysterically, dropping the lit match on to the curtains that hang behind her.)


Scene 4
HOSTEL – NIGHT

GIRL ONE, eighteen years old, rough looking with cheap taste.

GIRL ONE

    Who does this Puta think she is? (Directing her words towards Freya)

FREYA, now roughly seventeen

FREYA
                            
                       Me?

GRIL TWO, seventeen years old, a carbon copy of girl one

GIRL TWO
       Yes you

Friday 2 December 2016

Alternative Ending - Film Treatment


*Second idea for the ending of my film treatment*




An eerie silence fills the crowded room, everyone suddenly turning to statues. Cass, Harriet and Keira rise from their chairs, gun in hand, Freya knew it was the end for her, shielding her eyes she await the impact. Three gunshots were fired simultaneously. The pain never came, what came was the spraying of blood that wasn’t her own. Cass, Harriet and Keira had shot the men that were charging for Freya. All four charged out of the church making their way for the 1967, Chevy Impala. 

Women in The Godfather


The Men in The Godfather


Friday 25 November 2016

film treatment- last part


*One idea of the ending for my Film Treatment. A few more will be added recently, as i am not totally satisfied that this is the right action for the character of Freya*



Silence. No body moved. Just watched as the blood spluttered out and Enzos lifeless body as it plummeted to the floor. Freya’s eyes scanned the room waiting for up the chaos to begin but still no one moved. The echoing of a clap was heard, faint at first but gradually began to become more prominent. “You done me a favor little girl” the faceless voice spoke. Gun shots were fired, screaming rang throughout the church but it wasn’t because of Freya’s actions. She freely walked out like her actions were justifiable. Her smile was the last thing the audience sees.   

Tuesday 15 November 2016

Film Treatment


Film Treatment
Newly turned 25, Freya Smith walks down the aisle on what’s supposed to be the happiest day of her life. Staring in the face of Satan himself, she begins to descend down the aisle, plastering on the face of joy she has had a life time to practise…. (Flash Forward)
(The nursery rhyme playing in the background)
Ladybird, Ladybird
Fly away home,
Your house is on fire
And your children all gone;
All expect one
And that’s little Ann
And she crept under
The warming pan.

 Freya Smith (Alexandra Daddario) is the love child of Charles Smith and his mistress Nicola Moore living in the wealthiest part of London, in the mansions of Knightsbridge. She grew up being resented by her siblings and stepmother, the original Mrs Smith. Freya was the spitting image of her mother (being a constant reminder of the deceitful act her father had committed) with raven black hair that was formed into perfect ringlets, so indifferent to her siblings sun kissed skin and honey tinted hair. Her father was a notorious womanizer, bringing random women back almost every weekend which didn’t go unnoticed by Mrs. Smith. Due to the absence of her father in her younger years, Freya’s older siblings would be in charge, constantly using her as a rag doll, forcing her to fight with her brothers for practice. A few years down the line, it was the night of Mr and Mrs Smith’s 15th wedding anniversary which started off smoothly, guests indulging in the free food and free drinks, as the night progressed Mr. Smith became too ‘handsy’ with the other females which caused an argument to break out between the couple. The hysteric Mrs. Smith lit a candle and threw it on the Persian curtains that hung in the east wing, in a matter of minutes the Smith Mansion was engulfed in flames.

Freya was the sole survivor of the tragic fire that killed her entire family and destroyed the only place that was ‘home’ to her. Her deceased family was branded to be a state, an embarrassment to the community, leaving Freya more isolated and alone than ever before. In one of the hostels in which she had inhabited, she is approached by two girls claiming that she had stolen their blanket; the squabble started off small, with only harsh words being flung at each other. Then one of the girls throws a punch knocking Freya to the floor, memories of the abuse she would willingly take from her brother’s began to flood her mind. Slowly standing up, Freya takes both girls out not giving them the mercy they end up begging for. The next morning as Freya gets ready to leave she is approached by four other girls who praise her on her fighting skills from the previous night, the introduce themselves as Cass Collins (Natalya Rudakova), Keira Lin (Jamie Chung), Erin Thomas (Keke Palmer) and Harriet Jones (Sara Paxton), they ask her where she plans on going and invite her to join them on their day/night out.

As times goes on Freya begins to adopt their habits and quickly adjusts to the lifestyle the other girls lead. Their main objective is to steal to ensure their survival. Cass begins to date Michael, a drug dealer that works for one of the five most feared gangs in London, the “Stoneheads”. Cass begins to become more violent and starts to assault members of the public when they do their daily rob, the other girls believe the change in her behaviour stems from her new addiction to Cocaine and Ketamine. On confronting her, Cass explains that she wants to move up in ranks and become a real gang and that the ‘Stoneheads’ will train them in areas of combat, knives and guns.

As they start to train and fight alongside Stoneheads, they eventually become included in the gang. The rest of the girls (excluding Freya and Erin) adapt and begin to enjoy their new lifestyle, thriving off the new power they ‘believed’ to possess. The girls had simply become pawns in the Stoneheads plans, at the snap of a finger the other three girls would obey and follow through on jobs given to them. One night Enzo (Jesse Williams), leader of the Stoneheads commands that the girls dance for the male company they have around. Freya and Erin refuse to participate, resulting in a beating which they both don’t back down from. Erin pulls out a pocket knife and lunges for Enzo, the tip of the knife gently grazes him only ripping the t-shirt, he pulls a gun from his back pocket and shots Erin in the temple. Then he orders for the girls to clean up the mess. 


Throughout the months leading up to Freyas wedding, she hardly leaves her room and barley eats, not caring about the bruises and scarring that scatter her body, she began to simply waste away. On the day of her wedding everyone is surprised to see the effort she has made, as she begins to walk down the aisle alone she re-collects the memories of her father, her absent mother and her closet friend Erin, wishing she were here. Everyone waits in anticipation for Freya to say ‘I do’, instead she gives a sickly sweet smile to the guests and retrieves the gun from her garter, shooting Enzo dead in the eye.

Friday 30 September 2016

Reception Theory

Stuart Hall's: Uses and Gratification Theory 

  • Diversion- It allows for the audience to escape from reality.

  • Information- Gaining knowledge through media. 

  • Socialisation- Society only views or interacts with a certain type of media because everyone around them is discussing it. 

  • Self-discovey- Due to the mood and emotions someone is feeling, they watch something that relates to their inner self.