Thursday 11 May 2017

Narrative Theory, Question part b- editing


Narrative Theory

Narrative is the way a story is formed and organized to project that particular story. In relation to narrative, I am going to discuss my A2 media portfolio and how I used narrative theories and structures to create both film treatment and trailer.

I would describe my film trailer to be ambiguous as it is a series of different events that don’t fit together but will ultimately all intersect. It flashes between the actions of a murder, a robbery, drug use and meet ups that display how there is more than one story line being played out. The trailer itself is also blurred; this requires for the audience to understand the basic concepts of gangster films and for them to decide and discuss their own ideas of to how the story will conclude etc.

The soviet montage theory or Eisenstein’s montage theory can be linked to my trailer as it consists of piecing together separate sections with the illusion that they belong together. The metric montage is about cutting to the next shot no matter what is happening within the frame, no matter if it matches or not. It is used to extract any emotional response the audience.  Due to a montage of action my trailer doesn’t fully follow Propp’s theory, as it is hard to distinguish what roles certain characters signify. There is an obvious villain, as the start of the sequence there is a murder so the audience can clearly distinguish between the murderer and victim….

Todorov is a theorist who concluded that every narrative has a basic step-by-step structure. It starts of with everything being calm and relaxed, this is the state of equilibrium, it then moves onto disequilibrium where everything has be disrupted, then it’s the realization where all turns chaotic, the character(s) tries to restore the problem and lastly there is a new equilibrium. My trailer goes against Todorov’s theory as it begins in disequilibrium with a murder scene.

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